Hyonjin Kim,
Between Guinevere and Galehot: Homo/eroticism in the Lancelot-Grail Cycle
Abstract
A homoerotic reading of the
thirteenth-century Prose Lancelot, arguably the best and most sophisticated of
all medieval romances ever written, lays bare a hitherto-disregarded ideological
stance of courtly love. Through the first half of the Prose Lancelot, which is
known as “Lancelot without the Grail,” Lancelot’s love for Guinevere is
counterbalanced by Galehot’s equally passionate infatuation with Lancelot. While
exploiting the well-established romantic rivalry between love and friendship to
the fullest extent, this juxtaposition of seemingly incompatible erotic
orientations, at the same time, points towards ideological proximity between the
quasi-religious cult of erotic love and the celebration of male-male bonding in
chivalric society. Although both love and friendship appear to be sensationally
erotic and disturbingly antisocial in the Prose Lancelot, they eventually prove
to be conducive to the patriarchal and feudal status quo since they urge the
involved to sacrifice all worldly desires and ambitions for the sake of purely
psychological reward, thus endorsing a curious lifestyle that might be dubbed as
“erotic asceticism.” This eroticized ideal of asceticism objectifies and
marginalizes not only the object of erotic desire (i.e. the lady) but also its
seeming subject (i.e. the knight-lover), who, in turn, becomes the object of his
friend’s erotic desire. What is “subverted and mystified,” therefore, is not
female desire alone; male desire is also subverted and mystified. As “the female
subject vanishes,” so does the male subject of romantic adventure, which Georges
Duby has identified with the juvenes, the group of landless bachelor knights in
feudal society who were “condemned to a prolonged ‘youth’” by the law of
primogeniture. It is arguable, therefore, that a “well-wrought urn” of courtly
romance creates a safely contained world of fantasy for both aristocratic women
and “young” bachelors, who are institutionally excluded from patriarchal and
feudal resources and privileges.
Keywords: Lancelot, Guinevere, Galehot, medieval romance, courtly love, eroticism,
homoeroticism, asceticism, patriarchy, feudalism