Thomas More, Erasmus's
closest friend in England, has remained a focus of interest for many who will
never follow his intellectual or spiritual path; his life and manner of dying
fascinate many who will never read anything he wrote except Utopia. The
play and film A Man for All Seasons by Robert Bolt (1960) offer a
sympathetic picture of More's life that has touched many.
Thomas More was born in
London in 1478, the son of a lawyer; as a boy he served for several years in
the household of John Morton, the Archbishop of Canterbury and Lord Chancellor,
who figures in the discussions of Book I of Utopia as the model of a man
of power who listens to others' opinions. Morton was struck by More's
precocious talents, saying, "This child... will prove a marvelous
man," and sending him to study at Oxford for a while. Then, in 1496, More
began to study law at Lincoln's Inn (the London law school). During the years
of law study he lived in or near a Carthusian monastery, the Charterhouse,
where the monks kept strict silence and lived very serious lives of prayer.
More perhaps thought for a time that he should become a priest, but at last
found that he would not be able to live without marrying. As a married man he
continued to practice monastic-style prayer, fasting, and discipline.
While studying law, More
read deeply in Latin, lectured on Augustine's City of God and in 1501
began to study Greek under William Grocyn, a humanist priest in London. More
and Erasmus met first in 1499, and became close friends. More married, and had
four children before his wife died in 1511; a month later he married again, so
that his children could have a mother. In the same year Erasmus dedicated his
most popular work to More: the Encomium Moriae (Praise of Folly, with a
pun on More's name). More used to write letters in Latin to his young children,
and expected them to reply. In More's family the girls were educated to the
same extent as the boys, a great novelty, and the style of communal family life
in the Mores' house in Chelsea made a deep impression on his friends.
In 1515 More was sent as
a royal ambassador to Flanders (the Netherlands), where he met Peter Gilles, a
humanist who was town clerk of Antwerp and a friend of Erasmus. During the
months there, he composed the main part of Utopia, the description in
Latin of an imaginary land of Nowhere (in Latin nusquam, in Greek utopia)
which is now Part II of the completed work. On his return to England he added
Part I, a Platonic dialogue introducing some of the work's main themes. The
whole work was published in Louvain in 1516, thanks to Erasmus, and although
More had been eager to have it published he expressed great regret a few months
later. He perhaps realized that most readers would not be aware of the work's
origins in his own private life, and read it in too simple a way.
More's Utopia is
the single most influential Latin work of the Renaissance, and one of the
seminal works of modern literature. It was already widely known in Humanist
circles before it was translated into English in 1551, about the same time as
it was translated into French, German, Italian and Spanish. Like Plato's Republic,
it offers the picture of a fictional "other place" in order to
provoke reflection on the current state of the reader's own society. It was
written at a time when More was thinking deeply about his own future, and
especially about the possibility of being an agent of change for the better in
English society. One side of him felt that there were many aspects of
contemporary English life that were not acceptable, that had to change; another
side told him that he was being an over-optimistic dreamer because human nature
was incapable of true goodness. Utopia arose out of this inner debate.
The other major
inspiration for the form of Utopia was the account of voyages of
discovery to the New World written by Amerigo Vespucci and published all
over Europe from 1507. The story of his four journeys between 1497 and 1504
made a tremendous impact and earned him the lasting memorial of giving his name
to America, a continent that Columbus and Cabot had discovered before him. More
had read Vespucci's work, and he makes his main narrator, Raphael Hythloday, a
sailor who accompanied Vespucci on the last three of his journeys, and who
remained in Brazil when he returned from the fourth; from there he set out on a
journey over the Pacific that gave him the chance to visit Utopia.
"U-topia" means
"no-place" and More was conscious of the pun with
"eu-topia" meaning "good-place". Utopia is nowhere, because
it is fictional, but also because it is applicable in every place as a
challenge to the way life is being lived there; at the same time, it is
nowhere, because no one would ever want or be able to live as the Utopians do.
More's Utopia is a good place, but it is not without its limits and problems.
The way the word "Utopianism" is used today might seem to imply that
More's work is of the idealizing kind, proposing a model of an alternative,
perfect society; this is not correct. In many ways, More's Utopia is a terribly
inhuman society. In literary history More's work has inspired such famous
social satires as Swift's Gulliver's Travels and Orwell's 1984.
Much modern science fiction is either eu-topian or "dystopian" (from
"dys-topia" meaning a bad place) but no writer has offered so deeply
challenging a text as More.
The narrator of the first
Book is More himself, or at least a character (persona) called More (in
Latin Morus); he tells how, in Antwerp, Peter Gilles introduces him to
the Portuguese sailor-philosopher Hythloday (hythlos in Greek means
"nonsense"). He speaks of Hythloday's stories of the Utopians (and
others) as an example of "customs from which our own cities, nations,
races, and kingdoms might take example in order to correct their errors."
Suddenly, though, he begins to report a discussion that arose there between
Hythloday, Peter Gilles, and himself about the possibility of Raphael's
usefully serving some king as an advisor on account of the wisdom he has
acquired through his experiences.
The first half of Book I,
after this introduction, consists of Raphael Hythloday's account of a
discussion he was involved in one day during a visit to Cardinal Morton when he
was Lord Chancellor. A lawyer commends the English habit of hanging thieves,
sometimes 20 at a time. Raphael ventures the opinion that such punishment is
unjust since many are forced to steal in order to feed themselves and their
families. When the lawyer claims that they could earn money by working, Raphael
points out that many crippled soldiers cannot work. The debate extends to the
recent spread of enclosures, which has deprived many farm-workers of a job,
while those who used to be fed by rich land-owners have been dismissed on
account of high grain-prices:
"To make
this hideous poverty worse, it exists side by side with wanton luxury. Not only
the servants of noblemen, but tradespeople, farmers, and people of every
social rank are given to ostentatious extravagance of dress and too much
wasteful indulgence in eating. Look at the restaurants, the brothels, and those
other places just as bad, the inns, wine-shops and beer-houses. Look at all the
crooked games of chance like dice, cards, backgammon, tennis, bowling, and
quoits, in which money slips away so fast. Don't all these lead straight to
robbery....
"If you
do not find a cure for these evils, it is futile to boast of your severity in
punishing theft. Your policy may look superficially like justice, but in
reality it is neither just nor practical. If you allow young people to be badly
brought up, their characters will be gradually corrupted from childhood; and if
then you punish them as grown-ups for committing crimes to which their early
training has inclined them, what else is this, I ask, but first making them
thieves and then punishing them for it?"
For Raphael, this story
is the proof that he has no future as a courtier; for the reader, it is a
preparation for the skills needed to read Book 2 correctly. In both books the
text claims to record things said by Hythloday; in both he is arguing an
extreme, idealistic opinion, and in both the figure of More opposes a
differing, more pragmatic opinion.
It would be wrong,
though, to assume that the More who speaks in the text of Utopia always
expresses the opinions of Thomas More the author. Hythloday himself has two
sides: he is a fanatical idealist, using the example of Utopia to support his
demands for radical social change, and he is also bitterly disillusioned with
European society, so that in his fury against the folly of the courtiers at
Cardinal Morton's table, he does not even notice the positive example of the
uncorrupted statesman offered in Cardinal Morton himself. While Hythloday is a
purist, putting his finger on many examples of political immorality in the
second half of Book I, More argues in favour of compromise. Hythloday says
there is no place for honest men in politics (in court), to which More replies:
"That's
how things go in society, and in the councils of princes. If you cannot pluck
up bad ideas by the root, if you cannot cure long-standing evils as completely
as you would like, you must not therefore abandon society. Don't give up the
ship in a storm because you cannot direct the winds. And don't arrogantly force
strange ideas on people who you know have set their minds on a different course
from yours. You must strive to influence policy indirectly, handle the
situation tactfully, and thus what you cannot turn to good, you may at least
make less bad. For it is impossible to make all institutions good unless you
make all men good, and that I don't expect to see for a long time yet."
Part of the interest of
the Utopia is the fact that it was written within a few years of
Machiavelli's The Prince, and the views on political morality and of human
limitations found in the two works intersect. Raphael's response to More shows
how it is possible to be right and wrong at the same time:
"If we
dismiss as out of the question and absurd everything which the perverse customs
of men have made to seem unusual, we shall have to set aside most of the
commandments of Christ even in a community of Christians. Yet he forbade us to
dissemble them, and even ordered that what he whispered to his disciples should
be preached openly from the housetops....
Book II is the
description of the communistic way of life on the island of Utopia that Raphael
hopes will support his radical social opinions expressed at the end of Book I:
"As long
as you have private property, and as long as money is the measure of all
things, it is really not possible for a nation to be governed justly or
happily. For justice cannot exist where all the best things in life are held by
the worst citizens; nor can anyone be happy where property is limited to a few,
since those few are always uneasy and the many are utterly wretched.... Thus I am wholly convinced that unless
private property is entirely done away with, there can be no fair or just distribution
of goods, nor can mankind be happily governed."
This is one of the main
starting-points for the fantasy of Utopia. Writing at the time when modern
capitalism was just beginning to take shape in Europe, Thomas More tried to
imagine a society in which all the mechanisms of capital were abolished. At the
beginning of the century in which people began actively to move off the land
and into the cities, he imagined a society in which no such choice was
possible, since in Utopia all are obliged to take their turn in the fields.
Just as conspicuous consumption and luxurious life-styles were spreading, he
made Utopia a country in which all people live at an equal level of austerity.
There is no place for
individual desires or private will in Utopia, since the private good is
completely subject to the common good. In many ways, as critics have often
remarked, Utopia is an extension into society of some of the ideals that
existed in the monasteries, and it is no coincidence that Hythloday ends his
story with a speech denouncing pride. Only in Utopia, every form of
individuality is seen as pride.
Book II, much more widely
read than Book I, begins with a description of Utopia that makes it
clear how similar it is in many ways to England in its size and disposition.
Amaurot, the capital, is set on a river similar to the Thames, for example.
Book II begins with general descriptions of Utopian society, the social
hierarchy, the relationship between town and country, and the daily timetable.
It is very easy to pick holes in the details of the descriptions. We are told,
for example, that when the founder of Utopia, Utopus, first conquered it, it
was not an island until he caused a channel fifteen miles wide to be dug to
separate it from the continent. We may wonder what was done with the huge
quantities of earth and rock removed! There is competition between the
householders living in different streets, to produce the best gardens, yet the
gardens are always open to anyone who cares to go in and take anything. More
(or Hythloday) is clearly not painting a very precise picture but it is
striking to note how many aspects of life in Utopia resemble More's own family
life.
The main difficulty in
reading Utopia today comes from the way in which Utopian society is so
similar to some of the most repressive and totalitarian systems that recent
history has produced. There may be readers who do not care that everyone must
wear identical clothing, and must move houses every ten years, or that intimate
family meals are strongly discouraged, meals being taken by 30 families
together in neighborhood dining halls. More difficult to accept are customs
such as the internal passport system:
"Anyone
who wants to visit friends in another city, or simply to see the country, can
easily obtain permission from his superiors, unless for some special occasion
he is needed at home. They travel together in groups, taking a letter from the
prince granting leave to travel and fixing a day of return... Anyone who takes
upon himself to leave his district without permission, and is caught without
the prince's letter, is treated with contempt, brought back as a runaway, and
severely punished. If he is bold enough to try it a second time, he is made a
slave."
It is the Utopians'
attitude towards these slaves that arouses most critics' anger:
"Slaves
do the slaughtering and cleaning in the slaughter-houses: citizens are not
allowed to do such work. The Utopians feel that slaughtering our
fellow-creatures gradually destroys the sense of compassion, which
Utopia is in the
fortunate position of producing far more food than it needs; it keeps two
years' supply in stock, and sells the rest abroad. In exchange Utopia purchases
iron ore, gold and silver. It never experiences a foreign-exchange deficit, and
has accumulated vast quantities of gold. This is used to hire mercenary
soldiers from abroad when Utopia is at war, or to buy off the invading army, or
to bribe parts of it to attack the rest. Only how to store their fortune? Gold
is employed to make fetters for criminals, turning it into a sign of disgrace
instead of dignity, for the worst criminals wear crowns and chains of gold, the
signs of the highest power and honor in Europe. Jewels and precious stones are
the playthings of children, who naturally give them up on becoming adult.
Added vividness comes
from a description of the visit to Utopia of foreign envoys, who arrive dressed
in gold chains and are naturally taken for the slaves of their servants.
Cultural values and conventional attitudes are thus challenged by difference.
Next comes a long section
on the moral philosophy practiced in Utopia, and their delight in learning
which Hythloday was able to encourage by the classical books that he brought.
Thanks to his books, too, the Utopians were able to re-invent for themselves
the art of printing.
In the sections on the
care of the sick, and on marriage customs, there are ideas which show clearly
that More is not simply describing a perfect model for his own human society.
People in Utopia who are incurably sick and in great pain are encouraged by the
state to put an end to their lives by a form of sanctioned suicide
(euthanasia). This is contrary to Catholic teaching, in More's time as now. If
two people, after marriage, find that they have made a mistake and want to marry
other partners, divorce and remarriage is permitted. Divorce is also permitted
in the case of adultery by one of the parties. This too is not allowed by the
Church.
"Women do not marry till they are eighteen, nor men till they are twenty-two. Premarital sex by either men or women, if discovered and proved, is severely punished and those guilty are forbidden to marry during their whole lives, unless the Prince by his pardon lightens the sentence... the reason is that they suppose few people would join in married love, with confinement to a single partner and all the petty annoyances that married life involves, unless they were strictly restrained from a life of promiscuity.
"In choosing marriage partners, they solemnly and seriously follow a custom which seemed to us foolish and absurd in the extreme. Whether she is a widow or a virgin, the bride-to-be is shown naked to the groom by a responsible and respectable matron; and similarly some respectable man presents the groom naked to his future bride. We laughed at this custom and called it absurd; but they were just as amazed at the folly of other nations.... They leave all the rest of her body covered with clothes and estimate the attractiveness of a woman from a mere handsbreadth of her person, the face, which is all they can see."
Finally, Hythloday notes
that adultery (sexual relations between a married person and some other
partner) is punished by the strictest form of slavery, while a second
conviction is punished by death. Death is also the punishment for rebellion by
slaves.
Turning to international
relations, Hythloday tells that Utopia never makes any treaties with other
lands:
"In that
part of the world, treaties and alliances between kings are not generally
observed with much good faith.
"In
Europe, of course, the dignity of treaties is everywhere kept sacred and
inviolable, especially in these regions where the Christian religion prevails.
This is partly because the kings are all so just and virtuous, partly also
because of the reverence and fear that everyone feels towards the ruling Popes.
Just as the Popes themselves never promise anything which they do not most
conscientiously perform, so they command all other chiefs of state to abide by
their promises in every way. If someone quibbles over it, they compel him to
obey by means of pastoral censure and sharp reproof. The Popes rightly declare
that it would be particularly disgraceful if people who are specifically called
'the faithful' did not adhere faithfully to their solemn word.
"But in
that New World nobody trusts treaties. The greater the formalities, the more
numerous and solemn the oaths, the sooner the treaty will be broken...."
It is worth comparing
these lines with the chapter from Machiavelli quoted in the first volume of
this series. In Utopia, the irony of this passage is particularly
interesting; is Hythloday being sarcastic? Or is he being particularly
unrealistic? Is he saying what he thinks, or is his author manipulating his
words? In the next chapter, about the Utopians'
The section on religion
has interested many critics, since More imagines a non-Christian civic religion
of great nobility and purity:
"Most
believe in a single power, unknown, eternal, infinite, inexplicable, far beyond
the grasp of the human mind, and diffused throughout the universe, not
physically, but in influence. Him they call 'Father' and to him alone they
attribute the origin, increase, change, and end of all visible things.' The
name given to this supreme being is Mithra, a name taken from Persian
religion."
From Hythloday and his
companions, the Utopians heard about Christ for the first time, and were deeply
impressed, especially by the community of goods practiced in the monasteries.
Some of them were baptized, but there was no priest to give the other
sacraments. Tolerance is important; a Utopian who began to preach that
non-Christians would go to hell was quickly imprisoned and exiled.
Individual freedom of
religion was first established by Utopus himself, but within limits: "The
only exception he made was a positive and strict law he made against any person
who should sink so far below the dignity of human nature as to think that the
soul perishes with the body, or that the universe is ruled by mere chance,
rather than divine providence." In More's Europe, these two ideas were
subjects of intense debate; they were considered to be revealed truths that had
to be believed by all Christians, yet thinkers could offer no convincing
rational proof of them.
In conclusion, Hythloday
compares the equality found in Utopia with the gross inequalities of European
society, in a particularly powerful speech:
"What
kind of justice is it when a nobleman or a goldsmith or moneylender, or someone
else who earns his living by doing either nothing at all or something
completely useless to society, gets to live a life of luxury and grandeur?
While a laborer, a carter, a carpenter, or a farmer works so hard and so
constantly that even a beast of burden would
Hythloday explains the
general refusal of people to share what they have with others as a result of
Pride. The figure of More concludes with some comments on the tale he has just
heard:
It seemed to
me that not a few of the customs and laws he had described were quite absurd...
but my chief objection was to the basis of their whole system, that is, their
communal living and their moneyless economy. This one thing alone takes away
all the nobility, magnificence, splendor, and majesty which (in the popular
view) are considered the true ornaments of any nation....
I cannot agree
with everything he said. Yet I confess there are many things in the
Commonwealth of Utopia which I wish our own country would imitate, though I
don't really expect it will.